Welcome to this issue of the quarterly, celebrating visual
artists and the community they define. As residents, we revel in
Oregon’s geographic diversity as well a

Don Zadoff writes:

 My first piece of wood sculpture dates back to

1945. I was on a troop ship going from California

to the Philippines. The weather was hot and

muggy. There was nothing to do other than read

or play cards--boring. One day I found a piece of

wood and, with my pen knife, I whittled a sailor in

a pea coat. I kept me busy and probably saved my

sanity.

 Although I did some clay sculpture in high

school, my family lived in a small apartment

which did not allow me room to work in clay or

wood. Later, as an adult in my own home, I finally

had a studio which enabled me to pursue my art

interests.

 My sculpture went in many directions, both

figurative and abstract or non-objective. My work

was shown publicly on occasion, but mostly to

my family and friends. On moving to Eugene

35 years ago, I found time to take both drawing

and sculpture workshops at Lane Community College.

There I had the good fortune to study under Ellen  Tykeson.

Recently, on opening some old boxes, I found the

forgotten (5”) wooden sailor that I had carved on

the transport carrier 61 years ago.

DON ZADOFF

Sculptor

Mother and Child 14” Hardwood

Don Zadoff Sculptures are on exhibition in January at the

Emerald Art Center,

500 Main St.,

Springfield Or.

s the varied ethnicity of our 
population. The art that is produced in our community reflects that
same spectrum. Our art is not corralled into a single Eurocentric,
academic precept, limited by axioms from other times. Rather, our art
is open, inclusive, as innovative as it is disciplined.

quarterly is intended to increase the visibility of our local visual
artists. Artists are often reclusive by nature. Their muse speaks
privately. So they remove themselves from the hubbub of the marketplace
in order to create, not to promote. While performance artists look for
a stage, visual artists are more inclined to look for a cave with
northern exposure. Moreover the visual artist will hang up a sign that
says: “nobody home.”

quarterly is to serve these artists.  They are our living treasures,
our scribes, our oracles, our enlight-ening fools who, knowingly or
not, challenge the way we see things. In their pursuit of art, they
enrich the quality of our life in Oregon. This, then, is their picture
book, a folio, as well as a forum for their industry. We are blessed
with a bounty of gifted, world-class artists, more than our local
market can support.

quarterly may help nurture their appreciation as well as engender the
growth of a larger market to sustain them. It has been proven that art
puts communities on the map.

quarterly advertisers will be the real heroes. They will be paying for
the ink and the paper, as well as all that elegant empty space. These
advertisers must believe that the husbandry of art is a community
responsibility.  I thank my editors, and guest writers Laurel Fisher,
John Rose, Dottie Chase, Judith Roberts and Art Maddox and Jerry Ross. 
Thank you  J Thibeau for the nam. And thank you most of all, Connie
Clark in Tryon, North Carolina, for putting it all into a proper form. 
Cheers

Jerry Williams,
Professor Emeritus
Quixoticus
Theatre Arts, Villard
University of Oregon
541-687-0493




Jerry Williams